DUTILLEUX SONATINA FOR FLUTE PDF
Find composition details, parts / movement information and albums that contain performances of Sonatina for flute & piano on AllMusic. Henri Dutilleux. From the lait works- Ainsi la nuit: String Quartet (). other works and Influentions. Sonatina for flute and piano. serialism, eclecticism, be-. Henri Dutilleux’s Sonatina for flute and piano (perf. William Kincaid flute, Vladimir Sokloloff piano).
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By continuing to use this website, you agree to their use. This page was last edited on 24 Mayat The first section features a mysterious theme in 7 8 contrasting with jagged piano figures.
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Henri Dutilleux – Sonatine pour Flute et Piano
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Lasting barely ten minutes, the sonatina falls into three sections played without pause. This article about a sonata is a stub. It begins with a mysterious, tonally ambiguous flute theme played over an angular, rising and falling piano motif that strongly recalls the style of Dmitry Kabalevsky.
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Sonatina for flute & piano
Introspection Late Night Partying. A Portrait of Ensemble Pyramide. Notify me of new posts via email. This burbling material soon becomes the flute’s property, and the remainder of the section tests the flutist’s articulation, breath control, and agility in music that grows increasingly lighthearted.
Enjoy my favorite recording of this piece: Great 20th Century Flute Music. You can help Wikipedia by expanding it. The Sonatine for Flute and Piano is an early work by the 20th-century French composer Henri Dutilleuxcomposed and published in Poulenc, Hindemith, Dutilleux, Muczynski, Martin. Archived copy as title All stub articles. As ofit is Dutilleux’s most often recorded work. They were commissioned by then-director Claude Delvincourt.
Sorry, your blog cannot share posts by email. Sexy Trippy All Vlute. Predating his official Opus 1 the Piano Sonata by five years, Henri Dutilleux ‘s Flute Sonatina hardly reflects the composer’s distinctive mature style; it’s in a more generic, sometimes saucy French manner.
You are commenting using your WordPress. It concludes with a cadenza that provides a transition to the lyrical second section.
In 80 Minutes Around the World. The Paris Conservatory commissioned it as a test piece for the graduating flutists of Dutilleux was notoriously critical of his early works, including the Sonatine.
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