Listen to Villa-Lobos: Complete Solo Guitar Works by Frédéric Zigante on Deezer . With music streaming on Deezer you can discover more than. View credits, reviews, tracks and shop for the CD release of Villa-Lobos: Complete Guitar Music on Discogs. Find album reviews, stream songs, credits and award information for Villa-Lobos: Complete Guitar Music [ Recording] – Frédéric Zigante on AllMusic –

Author: Kigagami Kajijar
Country: Panama
Language: English (Spanish)
Genre: Career
Published (Last): 9 September 2007
Pages: 362
PDF File Size: 5.46 Mb
ePub File Size: 13.20 Mb
ISBN: 684-1-78474-285-7
Downloads: 74463
Price: Free* [*Free Regsitration Required]
Uploader: Kajijar

I haven’t noticed any crisis. Is there a crisis? My father and my brother Manuel. What really makes the difference is the music that frederif written for it. I play both baroque and classic guitar and I consider them two different instruments. This is how an interpreter and a composer can cope to “travel” together without any conflict.

Interpretation is a task: Someone who takes care of other people’s problems. I would probably be a medical doctor or a politician. In essence, his tendency for established values and the ongoing fascination for the zigantf possibilities within the purity of a piece is not a sign of conservatism – but rather of class.

An interpreter’s task is to give life to emotions that are latent in the musical text not only to play them! Complete editions are Frederic Zigante’s specialty: What really matters is to transmit emotions and feeling. I am a little bit annoyed by crossovers but I do realize that it is just a fashion that will pass without too many damages.

Frédéric Zigante on Spotify

What or who was your biggest influence as an artist? Have you ever tried playing a different instrument? If a perfomer has nothing to say and simply plays the music, he should stay home. What would be on your program for this season? After this reserach I bring out my personal emotions on the condition that they do not affect the composer’s idea.


How do you balance the need to to put your personal emotions into the music you play and the intentions of the composer? But I know that I libos certainly not: What do you tell them?

This is the way to discover beauty in all music, not only classical. False, the only thing about which people need to be educated is listening with curiosity: If yes, how good were you at it?

Frédéric Zigante | Savarez

The hardest part about being a musician is to often be alone and the best is to get emotion during a performance. About Our aim The team History. Community Links Countries Recording Services. You are given the position of artistic director of a concert hall. How would you describe the relationship with your instrument?

And zigantw, he is by no means an anachronism.

Villa-Lobos: Complete Solo Guitar Works

An interpreter has a great power in his hands because without him the work has no life and can’t be heard. You need to see the whole picture here – after all, that is what Frederic Zigante is all about.

First I need a contract then I shall begin thinking about it! A good live performance requires good technical standards and acceptable contents for the audience. Behind this desire for integrity hides no pathologically prolific mind, but a man who searches for profundity and who wants to use the power of interpretation to the good.


There are still so many works to be discovered and recorded even for instruments like the guitar. The one that mediates between the written text and the auditors.

But his power can frsderic negative and he can destroy music, modify it or misinterpret it. People need to be vklla about classical music, before they can really appreciate it.

This is what some performers do sometimes, they even cut off some parts of the works! The latter implies that Zigante eschews or may we even say “despises” the modern-day tendency to submit a Classical works to the arbitrariness of subjectivity, to change it, alter it or even leave out certain passages for more easy digestability.

During the next two months I will be preparing a new repertory for my CD recordings and I will be working on my critical edition of Villa-Lobos’ Etudes. With a clear mind, he recognises current cross-over tendencies and hip genre-bending see his answers to our Festival-question! It is necessary to know exactly what the composer intended but this isn’t always possible on the only basis of the written text. What constitutes a good live performance in your opinion? I live between two beautiful Italian towns: Just imagine what would happen if someone went to a museum and decided to change the colors on a painting: