GEORGES BATAILLE BLUE OF NOON PDF
GEORGES BATAILLE. Blue of Noon. Translated by Harry Mathews. PALADIN. GRAFTON BOOKS. A Division of the Collins Publishing Group. LONDO;”. would argue, that Bataille subverts the ritual of confession and absolution. Blue of . Noon. then, becomes not only a parody of confession, thetext also explicitly. THE BLUE OF NOON: A review by Dr. Joseph Suglia. According to Georges Bataille’s autobiographical note, Le Bleu du ciel (“The Blue of the.
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Goodreads helps you keep track of books you want to read. Want to Read saving…. Want to Read Currently Reading Read. Refresh and try again. Open Preview See a Problem? Thanks for telling us about the problem. Return to Book Page. Preview — Blue of Noon by Georges Bataille. Blue of Noon by Georges Bataille. Paperbackpages. To see what your friends thought of this book, please sign up. To ask other readers questions about Blue of Noonplease sign up.
Lists with This Book. Mar 02, Jon athan Nakapalau rated it it was amazing Shelves: In a time and place of fear there is often a self portrait that emerges that can no longer be hidden – and this is the true ‘us’ who we did not want others to see.
Excellent examination of that which we hide – but that emerges in times of conflict. May be three and half stars. The rating here is very subjective. If, for instance, a person with the sufficient knowledge of the pre-war Europe along with its political turmoils and its popular philosophical ideologies, might end up liking it much better.
Of course, I too did some extra reading. Searched for some of the definitions and features of Fascism, Spanish Civil War, the assassination of Dollfuss, etc. The reason for the extra reading: The novel is situated May be three and half stars. It was the time Fascism was gaining ground all over Europe. The novel as such deals with a man and his amorous encounters with three women.
The three women are supposed to be allusions to various ideologies. For instance, Dirty Dorathea is an allusion to the past regime or the regime that is to be thrown away. And so, calling her as Dirty is intentional to me it looks like that.
The past regime is one to which mud is slung. It is always dirty. And it has to be replaced with the new government and even if it is needed to be arrived at with the violent means, o is okay. This position is represented by Lazare, the second woman. Here too, the name is very suggestive.
Blue of Noon
Dead man alive – Marxist ideology of salvation through violence is questioned? Or Marxist ideology itself is shown to be redundant. The other woman is Xenie, who represents bourgeois class. The main character in the novel is attracted to all three and he can not decide where to place his trust.
If that is the case, the novel has come out well. I sincerely hope that I got the point. View all 7 comments. To a greater or lesser extent, everyone depends on storieson novelsto discover the manifold truth of life. Only such stories, read sometimes in a trance, have the power to confront a person with his fate. In Blue of Noon as in all his fic To a greater or lesser extent, everyone depends on storieson novelsto discover the manifold truth of life.
In Blue of Noon as in all his fictions — though, to my knowledge, Blue of Noon is his most explicitly personal — Georges Bataille put his money where his mouth was.
In London, in a cellar, in a neighbourhood dive — the most squalid of unlikely places — Dirty was drunk. I was next to her my joon was still bandaged from being cut by a broken glass. Dirty that day was wearing a sumptuous evening gown I was unshaven and unkempt.
Georges Bataille: Blue of Noon
As she stretched her long legs, she went into a violent convulsion. The place was crowded with men, and their eyes were getting ominous; the eyes of these perplexed men recalled spent cigars. What I love about Bataille is his clearsightedness. Blue of Noon revolves around the axis of humiliation. In scene after scene we witness the urge to humiliate in the hurt and unhappy — in the narrator Troppmannwhose failed marriage has led him via a series of prostitutes to an impotent codependence with the cruel but beautiful or, in his eyes, beautiful because cruel Dirty, and then into bored victimising of the lost Xenie.
And aware of his own cruelty. All of which just compounds his suffering. For readers of the Penguin edition and probably the editionWill Self pens an impressive introduction, comparing the novel to an out-of-control car. His Eroticism also comes highly recommended, but I started to grow away from his vision before I read it and have only revisited him recently from an urge to consolidate that period and set something of it in writing. Call him an influence but not a favourite.
Brilliant because unique, because so few have attempted what he attempts. But doomed to circle the same terrain ad nauseum, much as it may be his own. Nada disto me impressionou, apenas me enfastiou. Jan 08, Lily rated it really liked it. I’ve read this book three weeks ago in scarce hours, but its female characters still haunt my mind – Lazare, Dirty. The book strongly reminded me of all the fiction I have read by Henry Miller, but it is far more elegant.
The text is definetely kindred, my-poetry-like with this natural and bright promiscuity. Book includes several descriptions of somebody’s or author’s dreams.
Intimate and not at all political, there’s nothing radical in this book but its historical context barely dimly seen. Ac I’ve read this book three weeks ago in scarce hours, but its female characters still haunt my mind – Lazare, Dirty.
Actually, I wonder if being a type of a person easily succumbing to ideas of alterations of social order – an activist – isn’t merely a chemical gap between a human and what an addict of endorphin our body is at times. I feel like I could have written this too. I picked up this book in order to establish a link between eroticism and political engagement, however it seems like this is what the book is missing. Brief, but scarringly debauched reminiscences of a man and his self-destructive relationships with three women ugly Lazare, submissive Xenia and perverted Dirty set against the rise of Nazism and the Catalan riots in Abusive, drunken, dilettante Communism, self-harm and perverse with even a touch of necrophilia thrown inthis is not for the faint hearted, but it is powerful, nihilistic fare and despite the gruesomeness of it all, I wanted to go straight back to read parts of it again, Brief, but scarringly debauched reminiscences of a man and his self-destructive relationships with three women ugly Lazare, submissive Xenia and perverted Dirty set against the rise of Nazism and the Catalan riots in Abusive, drunken, dilettante Communism, self-harm and perverse with even a touch of necrophilia thrown inthis is not for the faint hearted, but it is powerful, nihilistic fare and despite the gruesomeness of it all, I wanted to go straight back to read parts of it again, so it definitely has something.
Creo que el choque entre el poder -que es la muerte- y las fisuras del poder -donde resiste la vida- es estructural, inevitable, ubicuo.
Por momentos, las fisuras tiemblan, se multiplican, se ramifican.
Por eso se trata de bkue Creo que el choque entre el poder -que es la muerte- y las fisuras del bataklle -donde resiste la vida- es estructural, inevitable, ubicuo. La mirada horizontal es de caos y dolor. La mirada vertical es tranquilidad. El cielo es azul.
Feb 02, Vit Babenco rated it georrges was amazing. All that nausea and sickness and squalor of living so cherished by Jean-Paul Sartre are already in this novelette. He held this stick obscenely erect, with the knob at his crotch, it then looked like a monstrous monkey’s penis that had been decorated with braids of coloured cord. Like a dirty little brute, he would then jerk the stick level with his mouth; from crotch to ov, from mouth to crotch, each rise and fall jerking to a grinding salvo from the drums.
The sight was obscene. It was terrifying — if I hadn’t been blessed with exceptional composure, how could I have stood and looked at these hateful automatons as calmly as if I were facing a stone wall?
Each peal of music in the night was an incantatory summons to war and murder. The drum rolls were raised to their paroxysm in the expectation of an ultimate release in bloody salvos of artillery.
I looked into the distance They were motionless, nonetheless, but bataill a trance. I saw them, so near me, entranced by a longing to meet their death, hallucinated by the endless fields where they would one day advance, laughing in the sunlight, leaving the dead and the dying behind them.
Feb 05, Momina Masood rated it it was amazing Shelves: Absolutely in love with Bataille! Bataille is one batai,le those men you wish you had in your life, a distant cousin perhaps, or an unrequited love. And I’m so happy he gave a shoutout to Kafka in the appendix.
So much alike, the two. And so very fascinating! Nov 04, Tosh rated it it was amazing Shelves: The nature of hot sex and fascism via the eyes of batai,le one and only Georges Bataille. Now here’s a man who knew how to have a good time.