1. CHAPTER ONE. INTRODUCTION. Luigi Dallapiccola’s Quaderno Musicale di Annalibera, a collection of eleven short pieces for piano solo, was written for the. Luigi Dallapiccola’s twelve-tone piece Quademo Musicale di Annalibera () The Quaderno Musicale di Annalibera presents these tonal references in three. Download Citation on ResearchGate | Luigi Dallapiccola’s Quaderno musicale di Annalibera: interpretive implications for piano performance derived from organ.

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Description The lecture recital was given on November 20, There is some invariance between the pairs of rows, especially in the second phrase. Piano Music from the 50th. Quadrina or Quatrain is a four lined poem or song. Physical Description xxiv, 34 leaves: In addition to the lecture recital four other public recitals were given.

The work was written during a journey across America for the Pittsburgh International Contemporary Music Festival. Streams Videos All Posts. Yet Dallapiccola manipulates the textures in a way that maintains their nonacademic interest and expressivity.

Log In Sign Up. Luigi Dallapiccola ‘s Quaderno musicale di Annalibera Annalibera’s musical notebookhowever, — dedicated to his daughter Annalibera on her 8th birthday — is a dense tone work whose name, form, and content all pay tribute to Johann Sebastian Bach.

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Quaderno musicale di Annalibera, for piano

The second phrase share all integers, except for a whole tone tetrachord [0,2,4,6] in each half of the hexachordal qauderno. This opening up of the tetrachord provides a sense of harmonic tension and release.


Descriptive information to help identify this dissertation. Bell, Digby May As there are four phrases, each phrase uses one of the four variations of the row. UNT Theses and Dissertations Theses and dissertations represent a wealth of scholarly and artistic content created by masters and doctoral students in the degree-seeking process.

Quaderno musicale di Annalibera,… | Details | AllMusic

Please enable JavaScript in your browser to use the site fully. The opening A section utilizes a very rhythmic ostinato in the left hand with a very accentuated staccatissimo articulation, while the right hand is sostenuto block chords without pedal. The discussion of Webern’s Variations and Dallapiccola’s Quaderno Musicale consisted of a analysis of the two works followed annlibera a comparison of stylistic and performance aspects.

More information about this dissertation can be viewed below.

A pedagogical analysis of Luigi Dallapiccola’s Quaderno musicale di Annalibera

With these trichords, Dallapiccola selects his rows to create a quasi-tonal Baroque chord progression throughout the entire movement Figure 1.

The children of composers often have dedications bestowed upon them, and the pieces so dedicated are normally simple, appropriately childlike works. Its sixth movement, “Ornaments,” would go on to serve as the basis of Dallapiccola ‘s Songs of liberation, leading some to suspect that the Quaderno was a preparatory work for the later piece; the whole notebook was later transcribed as the Variations for orchestra.

There are two other factors are used to delineate the ABA sections, the first being tempo markings, and the third voicing. Provided By UNT Libraries The UNT Libraries serve the university and community by providing access to physical and online collections, fostering information literacy, supporting academic research, and much, much more.


Who People and organizations associated with either the creation of this dissertation or its content. Tartiniana seconda; Intermezzo e Adagio; Due Studi. Second phrase excludes a whole tone tetrachord [0,2,4,6]. Enter the email address you signed up with and we’ll email you a reset link. People and organizations associated with either the creation of this dissertation or its content.

The final trichord of the Prime row [0,4,9] creates a minor sonority, while the final trichord of the Inversion row [4,8,e] creates a major sonority, both prime form For guidance see Citations, Rights, Re-Use.

School of Music Discipline: For example, both I10 and R1 of the first phrase share [t,0] and [e,1] in their respective hexachords, which when dallspiccola, created the chromatic tetrachord which is also the same prime form as the Bach motive seen in the first movement. He uses the tonal qualities of the rows to create quasi tonal progressions. Showing of 59 pages in this dissertation. North Texas State University.